Before:

After:
h/t: Landy. And no, I don't recall seeing this in Copenhagen.

When great evils happen, I am in the habit of looking out for what good may arise from them as consolations to us, and Providence has in fact so established the order of things, as that most evils are the means of producing some good.
~Thomas Jefferson, 1802 letter to Benjamin Rush.Know hope:

















As brains grow more complex from one species to the next, they change in structure and organization in order to achieve the right level of interconnectedness. One couldn’t simply grow a double-sized dog brain, for example, and expect it to have the same capabilities as a human brain. This is because, among other things, a human brain doesn’t merely have more “dog neurons,” but, instead, has neurons with a greater number of synapses than that of a dog – something crucial in helping to keep the human brain well connected.It's important to think of those synapses, those connections between different segments of the brains as those "connections" that influence design, as a street communicates with a building design and vice versa. The more factors affecting the design, the smarter the design is likely to be, much like the greater the complexity of the city the smarter the city is likely to be.
Now researchers have attempted to quantify the benefits of covering urban rooftops with plants. The scientists found that replacing traditional roofing materials with ‘green’ in an urban area the size of Detroit with a population of about one-million, would be equivalent to eliminating a year's worth of carbon dioxide emitted by 10,000 mid-sized SUVs and trucks. Their study is the first to examine the ability of green roofs to sequester carbon that may impact climate change and the findings are scheduled to appear in the journal Environmental Science & Technology.Smart Growth America says the spike in oil prices lead to a rise in transit ridership. Another 10% rise in transit use might result in complete independence from Middle Eastern oil. One way to make driving more difficult and increase density and transit ridership, make it more expensive.
This situation has been exacerbated by an unprecedented decline in HUD-financed rental units during the past two decades, as obsolete public housing projects have been demolished and replaced with lower-density communities containing a mix of sales and rental housing, including some housing priced at market rates. However, this spectacular transformation of some of the nation's worst public housing sites has substantially reduced the supply of affordable rental housing in many of the cities that need it most.







The maintenance of the regional setting, the green matrix, is essential for the culture of cities. Where this setting has been defaced, despoiled, or obliterated, the deterioration of the city must follow, for the relationship is symbiotic (ed. think Portland reinvigorating their city by preserving nature thru the use of UGB's). The difficulty of maintaining this balance has been temporarily increased...by the incontinent spread of low-grade urban tissue everywhere, dribbling off into endless roadside stands, motels, garages, motor sales agencies, and building lots...Mumford penned that in 1969. The man could see the future.
According to Florida, densely populated cities where innovators can thrive are the key to revitalizing the economy. In order for cities to be successful, Florida said, they must foster the 4 Ts: technology, talent, tolerance, and territory assets...
How has the car changed the way we consume energy?Krugman dispairs, money quote:
In 1949 only 3% of American households had more than one car. Now there are more cars on the road than there are licensed drivers. When we think about cars we tend to think only of the energy they consume directly, the gasoline. It's certainly significant, but the truly problematic form of energy consumption related to cars is what they allow us to do, which is spread out. We get oversize houses that require huge inputs of water and energy. They let us live 50 or 100 miles away from the place where we work. They require us to build roads, waterlines, power mains and sewage systems out to all these outposts we've created. We have this extraordinarily redundant infrastructure we've built because cars have let us do it.
But the larger reason we’re ignoring climate change is that Al Gore was right: This truth is just too inconvenient. Responding to climate change with the vigor that the threat deserves would not, contrary to legend, be devastating for the economy as a whole. But it would shuffle the economic deck, hurting some powerful vested interests even as it created new economic opportunities. And the industries of the past have armies of lobbyists in place right now; the industries of the future don’t.The sad part is, they aren't working for themselves, but for the machine that pays them, which is the fundamental thesis of The Corporation: good people caught in bad causes in the name of the corporate charter, which is not human and therefore causes inhumane decisions.



The possibility of moving the museum has been on the radar of Atlanta and other cities, particularly Dallas — which had the financial backing of billionaire T. Boone Pickens — because attendance has lagged at the South Bend location.These are probably the two most logical locations in the country for such an institution. Both are somewhat centrally located and the largest cities of their respective geographic power conferences. Both have yearly big regular season games (although Atlanta's game is a kickoff classic/season opener sort of thing pitting ACC vs. SEC teams), bowl games, large airports, football mad areas, and relatively easy access.
We have yet fixed the inside --we're not that smart and we're not that healthy and sometimes to do so, it takes a hard, honest look in the mirror, to fix the fundamental issues (or in Downtown's case, honestly address the "cavities" and drill them out) to be comfortable with ourselves and proud of who we are and where we stand in the world, a tolerance of outward things occasionally being a little messy or disheveled, because urbanism is messy. It's complex. Like a bowling ball careening down a lane, it is both entirely out of control, but guided towards its goal by expert understanding and skill at the same time. Let's stay out of the gutter.Side note: many of these issues deal with crime and education, but the fundamental purview of this blog is urban form and transportation issues. In fact, crime and education are probably THE two most important, both of which are in need of effective short- AND long-term strategies, but I'm of the opinion that some measure of these can be affected thru good urban design which begets investment, which begets pride, which begets love of ourselves, our city.All of which brings me to a study that came across my inbox today, entitled "How Far, By Which Route, and Why? A Spatial Analysis of Pedestrian Preference" which surveyed people at transit stations in order to determine the factors affecting their decisions. Often planners utilize a rather blunt instrument, the 1/4-mile walk or 5- or 10-minute walk radii for determining areas of walkability.



Invoking Roman ruins, he said the aim was to demonstrate "Nature taking over building" and that the hope was to include plants and living material in the exterior finish. Talley Associate's landscape design already incorporates a grove of trees, native Texas plantings, and, as Mayne described it, "a savannah" on the north side of the building....so lemme translate. In this dreamt post-apocalyptic world when all of our silly messiness of humanity is extricated from their beautiful works of art can this place exist as it is meant. They're so ahead of our time. By the way, a "savannah" has nothing to do with local Dallas ecology. Why don't we just make it a cotton field and get it over with.
The design is conscious of its proximity to downtown, with a transparent atrium on the corner of the building providing dramatic views of the skyline. The semi-exposed elevator shaft on the outside of the building encourages visitors to ascend vertically and then work their way back down through the Museum. (Shades of the Guggenheim, maybe?)
It is very conscious of being near downtown. Perhaps too self-aware, like a Highland Park tourist periodically stopping by the Neiman Marcus flagship. There are views, the building can see downtown, but not be a part of, and is distinctly seperate. As in at least an arm's length away at all times from that messiness that is true urbanity.
But, maybe we don't want that in Dallas. Perhaps we don't want places where we actually can all come together and coexist. We want divergent socio-economic classes and 21st century apartheid. If so, we better be aware of the repercussions and prepared to pay for the taxes to support the physical disconnects and the policing to preserve such divisions. We want to be able to talk about our great city but not mean it. We want to live in our McMansion, but we don't want the hour commute, the surly neighbors, or the fat, stupid kids that we ignorantly weren't aware came as a side helping.
Simply put, we pretend we are addressing problems, throwing money at them, but not really be honest with ourselves about the underlying issues. Sounds like the hubristic lexicon of starchitecture-ese, no?
Drilling out the cavities so to speak. I can donate the money, if it's enough maybe get my name on a brick or something, drive into the city, park in the garage, see a show, and never step foot outside. Aint it great? Now step on it before these city folk spread their diseases, like diversity and tolerance!
And good grief...the Guggenheim? Really? You know what the Guggenheim has? It has New York City around it, providing the life, the vitality, the interaction, and the backdrop for something different to stand out and be outstanding. Without city fabric, something merely stands. And furthermore, the City (and the people) were there first and the City then arose to the point culturally demanding such facilities; the horse appropriately ahead of the cart.
There is still work to be done. (The Museum estimates that it needs to raise another $60 million or so.) But it is clear that we have another dramatic work of architecture on our horizon.Sidenote: why does every museum have to be so literally representative of the displays inside these days anyway? Yet, remarkably they all manage to look the same yet with each particular architect's not-so-subtle accoutrements.
As for it being "another dramatic piece of architecture," any singular piece of architecture aka object is not and can never be dramatic. It is by definition static, a postcard. The life of a place, the genius loci, alchemically induced by the city fabric is dramatic when appropriately orchestrated to allow the "city" aka the residents to instill their own lives into the place. Places live when they adapt over time. Or we can falsely imply the passage of time and the fate of civilization




the stadium’s design mercifully avoids the aw-shucks, small-town look that has become common in many American stadiums over the years. There’s no brick cladding, no fake wrought ironwork, no infantilizing theme restaurants that seem as if they had been commissioned by Uncle Walt for the Happiest Place on Earth.And then, for the thesis:
Still, Cowboys Stadium suffers from its own form of nostalgia: its enormous retractable roof, acres of parking and cavernous interiors are straight out of Eisenhower’s America, with its embrace of car culture and a grandiose, bigger-is-better mentality. The result is a somewhat crude reworking of old ideas, one that looks especially unoriginal when compared with the sophisticated and often dazzling stadiums that have been built in Europe and the Far East over the last few years.Those stadiums were quite impressive at the Euro Cup held in Germany. I think it was quite clear the distinction between the sophistocation of those stadiums with the current crop of American Stadiums or the dumps that held the World Cup in '94 as embarrassments architecturally, culturally, and intellectually and the higher level Northern European countries are operating on, but ya know, they invest in their people thru health and education and all that craziness.
Walk around to either side of the structure and you’re confronted with what looks like a conventional suburban office park. A service road encircles the structure, surrounded by endless expanses of parking. A few lonely trees only draw attention to the absolute joylessness of the scene.But once again, this is Dallas (or actually in this case, FARlington - as the cowboys join the rangers in their disengagement from Dallasites) and if we do anything well, it's getting the words "world class" right, but not the actual meaning.

New York Times cites some current, and may I say stunning, survey data about this trend in Why Can't She Walk to School?
In 1969, 41 percent of children either walked or biked to school; by 2001, only 13 percent still did, according to data from the National Household Travel Survey. In many low-income neighborhoods, children have no choice but to walk. During the same period, children either being driven or driving themselves to school rose to 55 percent from 20 percent. Experts say the transition has not only contributed to the rise in pollution, traffic congestion and childhood obesity, but has also hampered children's ability to navigate the world.And lastly, as on each and every Monday, Kunstler howls:
This monster we call the economy is not just an endless series of charts and graphs -- it's how we live, and that has to change, whether we like it or not. Now, it is obviously a huge problem that a majority of Americans don't like the idea. If they were true patriots, instead of overfed cowards and sado-masochists, they'd be inspired by the prospect. But something terrible has happened to our national character since the triumphal glow of World War Two wore off. I just hope that the Palinites and the myrmidons of Glen Beck don't destroy what's left of this country in a WWF-style "revolution." In the best societies, such idiots are marginalized by a kinder and sturdier consensus about justice. In America today, the center is not holding because there is no center.
Scale is important. In London people hang out in Soho, Covent Garden, Mayfair and other areas of mostly low buildings packed closely together. The City (their financial district), like the downtown in many American cities, is full of tall offices and it empties out at night. It isn't that bustling in the daytime either.And Parking:
Parking lots and structures are dead real estate—they bring no life into a city and I'd be happy if there were a lot fewer of them in New York. It would be a pain in the neck for a lot of drivers, but unless they can be hidden underground, as they are often in Japan, lots and parking structures are simply dead zones, which hurt the businesses around them. In Japan parking structures are skinny, no wider than a large car, and a robotic system files the cars away. The Italian cities of Florence, Modena, Ferrara, where parking is pretty much relegated to the fringes of the town, are vibrant, though their appeal to pedestrians has turned some of them into tourist hubs.Or haven't written about, but thought, whilst in Manhattan myself:
Park Avenue, Manhattan's widest boulevard, doesn't cut it. The green in the middle is lovely but inaccessible, and the endless sameness of giant apartment or office buildings with little else to break the rhythm inspires the eye and mind to glaze over.Oh, and Dallas gets a special mention in the intro:
In Dallas livability might mean that you live near an expressway that isn't jammed up, at least not all the time, and your car runs most days.Is this how we want to be known? B/c if you haven't been paying attention, the world will be seeing a whole lot of Dallas, er, DFW in the near future, with the Super Bowl, the NBA all-star weekend, and the NCAA Final Four, all headed to the most urban of places,
“We will be creating a bit of indecision in all road users’ minds to create a safe environment,” said Martin Low, Westminster City Council’s head of transportation, which is conducting the experiment with Transport for London. “When lights are out we have noticed that drivers are far more considerate and show more care and attention than they are when they have the reassurance of traffic lights.”I have noticed this phenomenon as well on Dallas streets/arterials after power failures and what not bringing about the blinking red lights. Typical traffic engineering makes for stupid drivers. This is why you can arrive at a destination without remembering your drive. You tune out, you talk on the phone, you run over a gaggle of geese, careen off a few parked cars, and you're home wondering how the red all over the grill of your car got there.
Without any clear right-of-way, he says, motorists are forced to slow down to safer speeds, make eye contact with pedestrians, cyclists and other drivers, and decide among themselves when it is safe to proceed. ...As in all cases, regulating speed via regulation is nonsensical and costly (when factored for policing, paperwork, etc.) Cars (w/drivers) will ALWAYS go as fast as the driver feels comfortable. Long, straight shot? Gun it. One way? Gun it. Turning radii allowing for high speed cornering and some dukes of hazzard style "wheelin' n' dealin'"? Gun it.




The best support systems, the best urbanism, will permit the greatest density of relationships (not density of people), implying the greatest spacial complexity and diversity achievable.Herein lies the fundamental failure of many high-rises or skyscrapers, and in particular the Corbusien "Towers in the Park," the obvious of which gets blame is that it was an overt and systematic concentration of poverty, but perhaps in some ways the design itself which failed the residents in at least as much as the attempts, whether intentionally or not, to "shelve" or warehouse poverty:

For example, in Berkeley at the corner of Hearst and Euclid, there is a drugstore, and outside the drugstore a traffic light. In the entrance to the drugstore there is a newsrack where the day's papers are displayed. When the light is red, people who are waiting to cross the street stand idly by the light; and since they have nothing to do, they look at the papers displayed on the newsrack which they can see from where they stand. Some of them just read the headlines, others actually buy a paper while they wait.
This effect makes the newsrack and the traffic light interactive; the newsrack, the newspapers on it, the money going from people's pockets to the dime slot, the people who stop at the light and read papers, the traffic light, the electric impulses which make the lights change, and the sidewalk which the people stand on form a system - they all work together.
From the designer's point of view, the physically unchanging part of this system is of special interest. The newsrack, the traffic light and the sidewalk between them, related as they are, form the fixed part of the system. It is the unchanging receptacle in which the changing parts of the system - people, newspapers, money and electrical impulses - can work together. I define this fixed part as a unit of the city. It derives its coherence as a unit both from the forces which hold its own elements together and from the dynamic coherence of the larger living system which includes it as a fixed invariant part.
So what does this mean? Well, it reiterates the point that plain density does not a city make, but density of opportunity in some sense does and where does this happen moreso, than in the public realm, ie the urban city street, where all of these overlapping interactions come together in a focused (and easily policed, both in terms of design as well as actual law enforcement) environment.
This is why people (joe average planner or designer) stress ground floor retail, which is in reality a dumbed down version of merely saying that buildings need to engage or have a relationship with the street, the street and the people on it inform the building, its uses, its access and in turn the ground floor uses and porosity affect the street scene, because as the sentence itself should imply, not all streets should have retail explicitly, but residential streets should still have that semi-public "address" of stoops or entries greeting potential guests and offering a differentiation or medium between both public realm and entirely private.
For example, check these Montreal buildings for their flexibility of use that can respond to "market forces" (dumbed down word) or aka allowing people to take ownership and define their world, while creating "eddies" or places to linger or hang out aside from the movement of the street:
This is also not to say that towers in and of themselves are entirely bad. I like a good skyline postcard shot as much as the next person, but they do have their drawbacks environmentally despite what LEED might tell you. Personally, I worry that they are also a form of privatizing views and/or sunlight, but how then do we compromise with the American impulse of meeting demand with supply?
First of all, there has to be demand, which is a fundamental failure of so much real estate development, city planning, and most of all infrastructural investment, which comes from a supply side state of mind. I'm currently drawing a blank, but it was either Alexander or Gordon Cullen who wrote that any high-rise is STRICTLY a real estate exercise because they add nothing to city life that a dense network or arrangement of mid-rise buildings can't do. As we state above, density of population is not the solution and as this link discusses, the best cities in the world (or at least sub-areas of those cities) have no high-rises.
But single-story buildings also aren't quite ideal similar to those you might find in small historic hearts of Texas towns or "lifestyle centers," which are rapidly becoming one and the same because they lack both the density of both people and uses, as well building types, and height, which forms the space defined as the public realm, where we want to focus the majority of these solution sets or potential interactions. Read: meaning not underground in tunnels or in the sky in the form of sky bridges.
For the sake of argument, let's assume the ideal situation for building "up", that "place" is established by years of functional urbanism at a lower scale, and demand becomes so great that it overcomes any self-imposed regulation on building height in order to (remember best and most benevolent case scenario) spare natural or agricultural land (much as what has driven Portland's use of UGB's).
How do we compromise and make towers that accommodate the demand to be in this great place that we have defined without completely wrecking the public realm or removing too much of the potential for interactions from the streets?
Vancouver created legislation requiring setbacks for all new towers to be set on low-to-mid-rise bases so that from the street level, you feel like you are next to a four-story building. New York has gone back to some of their "towers in the park" and created one-story retail liner buildings to create a built perimeter or "street wall."
Vancouver, new buildings with four-story bases.
NYC: Adding one-story retail frontage to "towers in the park"
But, these are still physical examples, that while good IMO, don't address the social issue of the vertical cul-de-sac. One idea that I have put forth in the past for an idea for mid-to-high rise co-housing, is that there are hierarchies of social, public, or semi-public space based on the size of the community.
This stems from the idea that any one person's community, the amount of people they can ever really "know" at one time is approximately 150. I probably need to track this back to source the info, but something tells me it was one of those tidbits that stuck with me from a psychology class in college. In this case, the vertical co-housing would be the person's "community." Whether they choose to know everybody within their building is beside the point, but the opportunity is there.
The vertical cohousing was based on the idea of eliminating excess inefficiencies of excess individual plumbing lines, savings on sharing of electricity and appliances, and all but elimating inefficient floor space, meaning, no hallways. The elevator opens directly into a shared kitchen/dining area that would be shared by 4 to 8 units per floor and potentiall two floors per kitchen area. This would be organized as a tenants "nuclear family."
The rest of the common amenities would be structured similarly based on the amount of people to use it. Meaning every four or so floors there is a common gathering area, be it a workout facility, a pool, game room, home theater, etc. These areas would be the "extended family."
The idea of which has been done with many high-rise towers in europe that create garden floors every fifteen or twenty floors in modern "green" office towers, ie creating social spaces for subsets within the larger unit. However, as I have said, to some extent this minimizes the person/place/thing interactions or feedback loops that create more intelligent places, ie rather than being 100 on the street, there might be 20 every 100 feet in elevation (although I imagine diminishing returns based on the exponential overlapping that occurs in these semi-lattice networks).
The base of the building, would have a community-wide amenity area. One building we worked on was supposed to have a wii station for resident use.
The last level of the hierarchy is the public, which is the street, or city at-large, and this is where the building would have its "third places"; how the building engages the street and the city. Here could be some overlap with the community-wide amenity area as I have seen in my building with the bar/grocery store as a popular hangout after work for building residents.
So, I guess, the final point is that Dallas has very few places where the density of towers might be appropriate, given demand, but even then that might be doubtful given how badly many of the new condo towers have done. Even though this is a city built on speculative dreams, we have to create "place" first to establish demand, and that means building upon the successes of Main Street, CityPlace West, and State/Thomas.